Essay by Nicholas Carr: “…In George Orwell’s 1984, the functionaries in Big Brother’s Ministry of Truth spend their days rewriting historical records, discarding inconvenient old facts and making up new ones. When the truth gets hazy, tyrants get to define what’s true. The irony here is sharp. Artificial intelligence, perhaps humanity’s greatest monument to logical thinking, may trigger a revolution in perception that overthrows the shared values of reason and rationality we inherited from the Enlightenment.
In 1957, a Russian scientist-turned-folklorist named Yuri Mirolyubov published a translation of an ancient manuscript—a thousand years old, he estimated—in a Russian-language newspaper in San Francisco. Mirolyubov’s Book of Veles told stirring stories of the god Veles, a prominent deity in pre-Christian Slavic mythology. A shapeshifter, magician, and trickster, Veles would visit the mortal world in the form of a bear, sowing mischief wherever he went.
Mirolyubov claimed that the manuscript, written on thin wooden boards bound with leather straps, had been discovered by a Russian soldier in a bombed-out Ukrainian castle in 1919. The soldier had photographed the boards and given the pictures to Mirolyubov, who translated the work into modern Russian. Mirolyubov illustrated his published translation with one of the photographs, though the original boards, he said, had disappeared mysteriously during the Second World War. Though historians and linguists soon dismissed the folklorist’s Book of Veles as a hoax, its renown spread. Today, it’s revered as a holy text by certain neo-pagan and Slavic nationalist cults.
Mythmaking, more than truth seeking, is what seems likely to define the future of media and of the public square.
Myths are works of art. They provide a way of understanding the world that appeals not to reason but to emotion, not to the conscious mind but to the subconscious one. What is most pleasing to our sensibilities—what is most beautiful to us—is what feels most genuine, most worthy of belief. History and psychology both suggest that, in politics as in art, generative AI will succeed in fulfilling the highest aspiration of its creators: to make the virtual feel more authentic than the real…(More)”